According to Levinson, speaking about Rue’s special Christmas episode, " is limited in her ability to understand the other emotional worlds of other characters, and it leaves open the other side of the story." The showrunner of Euphoria, Sam Levinson, has stated that Rue is an unreliable narrator and that her narrative is not always accurate in her retelling of things, especially as she is not always physically present for the scenes she recounts. The TV series is often narrated from the perspective of Zendaya's Rue, a queer, Black teen recently out of rehab but with no intention of quitting drugs. To think of the bright colors, revealing ensembles, and rampant drug use, all viewed with a queer, biracial young woman’s point of view, it becomes clear that Euphoria’s aesthetics attempt to subvert glamorized assumptions about high school culture. Through whose eyes do we see the world? What does cultural production that centers Blackness and queerness look like? More loosely conceived, artistic perspective is another way of thinking about questions of worldview. We toss the word around, loosely understanding it as embodying the style of a given piece of media or work of art, but formally, aesthetics is actually a philosophical discipline: the study of beauty and taste.Īesthetics, specifically Black aesthetics and queer aesthetics, is concerned with questions that ultimately seek to interrogate a historically Eurocentric, heteronormative view of the world. That, alongside "glitter," "skimpy outfits," "graphic eyeliner," "drugs," and "partying." Anyone wearing an I.AM.GIA set, rhinestone makeup, or fun hairstyles is now said to have a Euphoria aesthetic. It's one of the first words that comes to mind when we talk about what makes HBO's Euphoria unique.
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